Art & Cultural Journalist

Liz Goldner writes about a broad range of subjects in her articles, profiles and reviews, while elucidating art styles, including figurative, conceptual, Light and Space and Chicano art. Her articles cover socially conscious art, the merging of art with science, California Scene Paintings, California Impressionism, and the intersection of art and politics, among other topics. She addresses the synergy between artists, artwork and the creative process, and the connections of art styles and movements to current trends.

Since 2000, she has published thousands of art reviews, critiques, profiles and articles in newspapers, newsletters, magazines and online platforms. She has won dozens of arts journalism awards.

Liz Goldner is a Substack columnist, is featured in Voyage LA, was Project Manager/Contributor of Laguna Canyon Project: Refining Artivism (2018), and is writing the book Mark and Jan Hilbert: The Love Story that Launched an Art Museum to be published later in 2025.

Living in Southern California, she has written for: Art and Cake, Art Ltd. magazine, ArtScene magazine, Artillery magazine, artsNantucket, Blue Door Magazine, Coast, The Democracy Chain, Fabrik magazine, HuffPost, Irvine Weekly, LA Weekly, Laguna Beach Art Patron magazine, Los Angeles Review of Books, Los Angeles Times, OC Art Blog, OC Metro, OC Weekly, OC Register Magazine, Orange Coast, Orange County Register, PBS SoCal, Premiere OC, San Diego Magazine, San Diego Union-Tribune, Visual Art Source, Women in the Arts, California Art Club and others.

The Happening Encampment (1970) from Laguna Beach in the Sixties

Selected Art Reviews and Art Related Articles

Manzanita Anthers (2015) from Jessica Rath: A Better Nectar

More Selected Art Reviews and Art Related Articles

Photo credits: Main Beach Laguna by Tom Lamb; The Happening Encampment, Manzanita Anthers and The Tell by Mark Chamberlain (Mark Chamberlain Tribute Video)

Image at Top of Page: Stanton Macdonald-Wright, Untitled [Vase of Flowers], 1924-25, collection OCMA. See Circles of Influence for more information.

Contemporary Art Dialogue: Page 2